Fireballet - Night On Bald Mountain (CD)

Genre:
Progressive
Label:
Flawed Gems
Format:
CD
Condition:
New
Regular price €12,90 (Tax included. Shipping calculated at checkout.)
Studio Album, released in 1975
CD Reissue Flawed Gems 2012
sealed !
Songs / Tracks Listing
1. Les cathédrales (10:16)
2. Centurion (tales of the fireball kids) (4:46)
3. The fireballet (5:15)
4. Atmospheres (3:40)
5. Night on bald mountain: (18:55)
a) Night on bald mountain
b) Night-tale
c) The engulfed cathedrale
d) Night-tale (reprise)
e) Night on bald mountain (finale)
Total Time: 42:52
Line-up / Musicians
- Martyn Biglin / bass, 12 string acoustic guitar, backing vocals
- Ryche Chlanda / acoustic & electric guitars, electronic devices, backing vocals
- Jim Cuomo / lead & backing vocals, percussion
- Brian Hough / Hammond & other organs, keyboards, backing vocals
- Frank Petto / acoustic & electric pianos, synths, Mellotron, backing vocals
Fireballet biography
This is one of the gems from the USA progrock history. The band featured Jim Como (lead vocals, drums, percussion), Bryan Howe (Hammond - and pipe organ, celeste and vocals), Ryche Chlanda (electric - and acoustic guitars, electronic devices and vocals), Frak Petto (piano, electric piano, ARP 2600 synthesizer, Mellotron, electronic strings, Oberheim DS-2 digital sequencer and vocals) and Martyn Biling (bass, 12-string guitar, Moog Taurus bass pedals).
Their first album Night on Bald Mountain was released in '75 and produced by Ian McDonald (KING CRIMSON). It sounds like a very tasteful progrock stew with elements from GENESIS, GENTLE GIANT and YES. The very disappointing second LP ('76) is entitled Two, two ... , no surprise that it turned out to be their swansong.
The album debut-album Night on Bald Mountain from 1975 is a bit unknown beauty, other USA prog rock bands NETHERWORLD and LIFT got far more attention from the prog fans all over the world. The twelve compositions (including seven bonus tracks, All Killers, No Fillers would Greg Walker from Syn-Phonic say) contain alternating and captivating music with strong echoes from early GENESIS and also GENTLE GIANT and YES. But many twists and turns give the music an original approach, including exciting arrangements from classic composers (MUSSORGSKY and DEBUSSY). The singer sounds powerful and has a wide range, the 'vintage' keyboards are very lush with spectacular synthesizer solos and the guitar work has a beautiful, 24-carat symphonic tradition. Highlight on this splendid CD is the epic title track (almost 20 minutes): wonderful changes of climate, great breaks, impressive pipe organ (evoking Close to the Edge from YES) and beautiful HACKETT-like guitar work. Also worth mentioning is Ian McDonald's contribution to this album, he plays flute on two tracks and saxophone on two tracks, his sound is very distinctive. Highly recommended!
Review by loserboy
PROG REVIEWER Honorary Reviewer
